Features
Everything Cutline does today, as an edit decision list. Every change happens in your own project and comes back with a report of what changed.
Try saying
The same tiles as the Cutline panel. Click one to copy the line, then paste it into Claude.
In Premiere Pro
In After Effects
The full list
| Event | Track | What you can ask for | Reel |
|---|---|---|---|
| * Premiere Pro: Editing. The cutting itself, in your real timeline. | |||
| 001 | V A | Razor at any time, on all tracks or chosen ones | Editing |
| 002 | V A | Remove a range and close the gap, or leave the gap | Editing |
| 003 | V A | Ripple delete or lift by selection, name or position | Editing |
| 004 | V A | Trim heads and tails; roll, slip and slide | Editing |
| 005 | V A | Move and copy clips; replace a clip in place | Editing |
| 006 | V A | Turn clips on or off over a range to switch angles | Editing |
| 007 | V A | Place items by overwrite or insert; link and unlink | Editing |
| 008 | V A | Rename clips with a pattern; select by name, label, range or track | Editing |
| 009 | V A | Freeze frames, match frame, nest and un-nest | Editing |
| * Premiere Pro: Gaps and silences. Clean-up passes on long timelines. | |||
| 010 | V A | Find gaps per track, or where every track is empty | Gaps and silences |
| 011 | V A | Close gaps while keeping tracks in sync | Gaps and silences |
| 012 | V A | Find silences across mic tracks, then remove, lift, disable, cut or mark them | Gaps and silences |
| * Premiere Pro: Sequences and tracks. Building and managing sequences. | |||
| 013 | V A | Create, duplicate, open, close and delete sequences | Sequences and tracks |
| 014 | V A | Make a new sequence from a time range of another | Sequences and tracks |
| 015 | V A | Sequence settings, start timecode, in and out points, work area | Sequences and tracks |
| 016 | V A | Add, delete, rename, lock, mute, hide and target tracks | Sequences and tracks |
| 017 | V A | Auto Reframe a copy to 9:16 or any ratio | Sequences and tracks |
| 018 | V A | Scene Edit Detection to markers or cuts | Sequences and tracks |
| 019 | V A | Timeline summary; move the playhead, find the next edit, play and stop | Sequences and tracks |
| * Premiere Pro: Markers. Sequence and clip markers. | |||
| 020 | V A | Add, list, change and delete markers by colour, name, time or type | Markers |
| 021 | V A | Chapter markers | Markers |
| 022 | V A | Clip markers | Markers |
| * Premiere Pro: Titles, effects and motion. Graphics, effects and keyframes. | |||
| 023 | V A | Motion Graphics templates and their text | Titles, effects and motion |
| 024 | V A | Adjustment layers | Titles, effects and motion |
| 025 | V A | Apply, change and remove effects, including third-party ones | Titles, effects and motion |
| 026 | V A | Copy effects and keyframes between clips | Titles, effects and motion |
| 027 | V A | Crop, position, scale, rotation, opacity and blend mode | Titles, effects and motion |
| 028 | V A | Keyframes on any parameter, with interpolation | Titles, effects and motion |
| 029 | V A | Basic Lumetri by value; Warp Stabilizer | Titles, effects and motion |
| 030 | V A | Speed, reverse, frame blending and optical flow | Titles, effects and motion |
| * Premiere Pro: Audio. Levels and mixing basics. | |||
| 031 | V A | Clip volume in dB, pan, volume keyframes and fades | Audio |
| 032 | V A | Duck music under dialogue automatically | Audio |
| 033 | V A | Audio effects and crossfades | Audio |
| * Premiere Pro: Project and media. The housekeeping nobody wants to do by hand. | |||
| 034 | V A | Import files, folders and image sequences into bins | Project and media |
| 035 | V A | Import XML, EDL, AAF or another Premiere project | Project and media |
| 036 | V A | Create, search, move, rename, label and delete bins and items | Project and media |
| 037 | V A | Reports on offline, unused and duplicate media | Project and media |
| 038 | V A | Consolidate duplicates; collect the project and media into a folder | Project and media |
| 039 | V A | Metadata, XMP and custom fields | Project and media |
| 040 | V A | Interpret footage; relink, refresh and proxies | Project and media |
| 041 | V A | Subclips, poster frames and caption tracks | Project and media |
| 042 | V A | Project settings; clear preview files to free space | Project and media |
| * Premiere Pro: Export and handoff. Getting the edit out. | |||
| 043 | V A | Export with any preset, directly or through Media Encoder | Export and handoff |
| 044 | V A | Queue clips or files in Media Encoder and track progress | Export and handoff |
| 045 | V A | XML for Resolve, AAF or OMF for audio post | Export and handoff |
| 046 | V A | Save stills, and show any frame to the AI so it can see the shot | Export and handoff |
| * After Effects: Comps and layers. Building and organising comps. | |||
| 047 | AE | Create, duplicate and change comps; precompose | Comps and layers |
| 048 | AE | Add solids, text, nulls, shapes, adjustment layers, cameras and lights | Comps and layers |
| 049 | AE | Duplicate, delete, reorder and rename layers; switches, labels and parents | Comps and layers |
| 050 | AE | Trim, move, stagger, stretch and time-remap layers | Comps and layers |
| * After Effects: Animation. Keyframes and expressions. | |||
| 051 | AE | Transform values and keyframes | Animation |
| 052 | AE | Set any property by its path | Animation |
| 053 | AE | Add, remove and ease keyframes, from Easy Ease to hold and bezier | Animation |
| 054 | AE | Add and clear expressions, with errors reported back | Animation |
| * After Effects: Text, effects and masks. Look and type. | |||
| 055 | AE | Change text and its style: font, size, colour, stroke, tracking | Text, effects and masks |
| 056 | AE | Search, apply, reorder, toggle and remove effects | Text, effects and masks |
| 057 | AE | Essential Properties on template precomps | Text, effects and masks |
| 058 | AE | Rectangle and ellipse masks; track mattes | Text, effects and masks |
| 059 | AE | Comp and layer markers | Text, effects and masks |
| * After Effects: Project and render. Files, settings and output. | |||
| 060 | AE | Import files, folders, sequences and layered files | Project and render |
| 061 | AE | Organise, relabel, replace and delete items | Project and render |
| 062 | AE | Project settings: bit depth, colour space, expressions | Project and render |
| 063 | AE | Render queue or Media Encoder; render any frame for the AI | Project and render |
| * Add-ons: Cutline Context. Briefs, handbooks, scripts and notes Cutline reads before it edits. | |||
| 064 | Add-on | Use them for this project, every project, or just the next request | Cutline Context |
| 065 | Add-on | Cutline tells you which ones it's following | Cutline Context |
| 066 | Add-on | Say “remember that…” to save a note for next time | Cutline Context |
| * Research: YouTube references. Read and watch YouTube videos without leaving your edit. | |||
| 067 | Web | Details, licence, chapters and timestamped transcript | YouTube references |
| 068 | Web | Contact sheets, shot lists, cut times and pacing | YouTube references |
| 069 | Web | Search, including Creative Commons only | YouTube references |
| * Always on: undo and safety. Built so you can trust it with a real project. | |||
| 070 | All | One click undoes Cutline’s whole last change, even dozens of cuts | Undo and safety |
| 071 | All | A backup copy of the sequence before big batch edits | Undo and safety |
| 072 | All | Never saves your project unless you ask | Undo and safety |
| 073 | All | Asks before risky deletes, like bins with clips in them or media used in sequences | Undo and safety |
| * Coming soon. Listed here so you know what’s next; none of it is switched on yet. | |||
| 074 | Add-on | Cutline Colour: colourist-style balancing and matching in Premiere Pro. | Coming soon |
| 075 | Add-on | Cutline Review: a review tab with timestamped notes Cutline works through. | Coming soon |
| 076 | ChatGPT support: use Cutline from the ChatGPT desktop app as well as Claude. | Coming soon | |
| 077 | Windows: cutline runs on Mac today. | Coming soon | |
| 078 | An auto rough cut: a first assembly from your interviews or multicam. | Coming soon | |
Want the commands to type? See the command list.